Friday night I watched Ingmar Bergman's Silence, a 1963 film about two sisters staying in a fictional country that may be moving toward civil war. So might they. The older sister, played by Ingrid Thulin, is a sickly translator and intellectual. The younger, played by Gunnel Lindblom, has a young son and is easily bored. In closed spaces their issues boil over.
There's more sex and nudity than I was prepared for based on the other Bergman works I've seen. I was going to say that Lindblom has a nice set of mams, and maybe she did, but it turns out Bergman used a body double for her character. The 1963 theatrical trailer plays up this aspect, which maybe was all they could do. But saying this movie is all SEX SEX SEX is no more true to it than saying that Bergman on the whole is just a miserable Nordic depressive. What this is actually is a stark psychological drama in a weird landscape.
The next night I went out to see a Spanish language play presented on a black box stage in the Elmwood neighborhood. It's about a wealthy woman—or at least one who remembers being wealthy—learning to appreciate her maid (played by a man.)
It was a very different work in a different medium. Also the play was an all ages affair, wit lots of kids in the audience. Still, in some ways they were covering similar ground.