Sunday, March 5, 2023

Robinson

I got a book from the library recently (shocker). Namely, Collected Poems by Edward Arlington Robinson. It apparently is all of his published poems, or at least a large number, running to over 1,000 pages. 

Robinson is probably best known for "Richard Cory", a character profile in verse with a rather bleak twist at the end. Paul Simon reworked it into a Simon and Garfunkel song. He's very good in general at mixing poetic fancy with a natural sense of breath. Not naturalistic, but he sounds human.

Maybe I'll put up an example later in the week. His "Ben Jonson Entertains a Man from Stratford" is a standout, but way too long for me to retype.

ADDENDUM: I'll vouch for this one.

JOHN GORHAM

“Tell me what you’re doing over here, John Gorham,

Sighing hard and seeming to be sorry when you’re not;

Make me laugh or let me go now, for long faces in the moonlight

Are a sign for me to say again a word that you forgot.”—

 

“I’m over here to tell you what the moon already

May have said or maybe shouted ever since a year ago;

I’m over here to tell you what you are, Jane Wayland,

And to make you rather sorry, I should say, for being so.”—

 

“Tell me what you’re saying to me now, John Gorham,

Or you’ll never see as much of me as ribbons any more;

I’ll vanish in as many ways as I have toes and fingers,

And you’ll not follow far for one where flocks have been before.”—

 

“I’m sorry now you never saw the flocks, Jane Wayland,

But you’re the one to make of them as many as you need.

And then about the vanishing. It’s I who mean to vanish;

And when I’m here no longer you’ll be done with me indeed.”—

 

“That’s a way to tell me what I am, John Gorham!

How am I to know myself until I make you smile?

Try to look as if the moon were making faces at you,

And a little more as if you meant to stay a little while.”—

 

“You are what it is that over rose-blown gardens

Makes a pretty flutter for a season in the sun;

You are what it is that with a mouse, Jane Wayland,

Catches him and lets him go and eats him up for fun.”—

 

“Sure I never took you for a mouse, John Gorham;

All you say is easy, but so far from being true

That I wish you wouldn’t ever be again the one to think so;

For it isn’t cats and butterflies that I would be to you.”—

 

“All your little animals are in one picture—

One I’ve had before me since a year ago to-night;

And the picture where they live will be of you, Jane Wayland,

Till you find a way to kill them or to keep them out of sight.”—

 

“Won’t you ever see me as I am, John Gorham,

Leaving out the foolishness and all I never meant?

Somewhere in me there’s a woman, if you know the way to find her.

Will you like me any better if I prove it and repent?”—

 

“I doubt if I shall ever have the time, Jane Wayland;

And I daresay all this moonlight lying round us might as well

Fall for nothing on the shards of broken urns that are forgotten,

As on two that have no longer much of anything to tell.”


2 comments:

susan said...

I read your post this morning and have come back to find you've typed out a poem by Robinson. Thank you. Other than having heard Paul Simon's Richard Cory I wasn't familiar with the poet, but I like this one enough that I'll be sure to investigate further. Of course, there's not a lot on the internet by him or about him but I did come across an essay from the Colby Library Quarterly on the Digital Commons that had the following quote:

I am sorry to learn that I have painted myself in such lugubrious colors. The world is not a prison house but a kind of spiritual kindergarten where millions of bewildered infants are trying to spell God with the wrong blocks.

The writer goes far out of his way to discuss the ramifications of a statement that seems remarkably clear to me. The poem you've posted makes it very clear that there's some at least major misunderstanding that's occurred between these two. That happens in life. Sometimes, though, people are able to overcome their differences and I rather like to think that John Gorham and Jane Wayland got past their disagreement and continued their relationship successfully.. or maybe not.

That he was described in life as a psychological poet is very apt and people are far more interesting than landscapes - and not nearly so peaceful.

****
ps: Here's the twitter link to Obama's dream Jer mentioned. It's on a political site 'Ignorance, the root and stem of all evil' so you have to sign on to view the video.

Ben said...

When I first put this post up it was late at night and I needed to get some sleep, which wasn't to be delayed even by typing out a relatively short poem. But I always intended to include one, because otherwise it wouldn't feel complete. The John Gorham one had tickled me before.

That's a good quote from Robinson. The essay isn't bad, but I'm familiar with this kind of writing by having read and written it in school. You can extend the theme too far, putting more weight on it than the original work. In fact there's very little other chose. Of course that's still better than the grievance studies drift in academia.

Yes, it's an intriguing exchange between John Gorham and Jane Weyland, helped along by a hypnotic meter(s). Which of them is in the right, if either, is ambiguous. He's a sensitive young man, and perhaps overly so. I see them as being done with each other for now, but maybe not forever.

"Psychological" seems apt, given the number of poems he writes that have people's proper names in the titles. There's a reason to look at landscapes, but he's more of a portraitist. Even when looking at a place with no people ("The House on the Hill" e.g.) he can feel their former presence.

***

It kind of seems like Obama wants it both ways. He might think of himself more as a backstage tinkerer but of course he enjoyed--and continues to enjoy--the spotlight. Biden's best quality from that POV is he won't outshine his former boss.