Exemplar

In Pawtucket, there's a mural on the side of a two-story building. In bright colors sure to draw the curious eye, it reassures the viewer of human things that it's okay to do. This is obviously a well-intentioned work, responsive, made by and for people who have been there. So what could be the problem?

I've thought about it for some time now, and I think Ashley Frawley might have stumbled on it. If everyone is always thinking about mental health, what else is there?

This is a microcosm of where the rest of the world is headed or has already gone. In England and Wales, where mental health promotion has been in overdrive for decades, working-age claimants of incapacity and disability benefits rose from 2.9 million in May 2019 to 4.5 million in August 2025, with mental-health conditions driving the increase. Meanwhile, in the United States, young people self-diagnose from TikTok reels whose creators doubtless feel they are doing a public service. After all, they are only echoing the common sense of our time: There is no shame in seeking help; “the more awareness, the better.”

That's about the size of it. There are vulnerable people out there taking drugs so strong that they'd have once gotten the dealer a life sentence, ceding control over who they talk to and how they live. Our society encourages this and will never stop, because it's a plainly virtuous and necessary mode of treatment. The whole cycle becomes self-justifying and self-perpetuating. The increased availability of resources for the mentally ill is a good thing. The outsized public focus on their maladies is not.

Vive quoi?

It is beyond bizarre that France has outlawed drinking at state-sponsored events, as well as banning unplanned gatherings in general. In response to a heatwave, so the measures could be temporary, but they're set down as law, so who knows? And this is on top of an outdoor smoking ban. If France wants to completely refute its own nationhood the only thing left to do is order their women to stop putting out.

It's another mark against the EU. Governments all over the place are getting bolder in deciding how for their citizens how they should live, yes. But the official governing body of Europe is especially addicted to nanny state authoritarianism, and it's hard to believe that hasn't had an effect on France.

Under your spell

One of the most interesting role-playing games out there is Mage: The Ascension. This is part of the World of Darkness, a shared world that dates back to the peak-Trent Reznor years of the 90s. The game centers on magical warfare between different camps of wizards, so obviously it's in the fantasy zone. But what's most interesting about it are the ways it's grounded in reality.

To begin with, there's the actual practice of magic in the game. You can't actually, for example, just point at someone and make them disappear to Elsewhere. People who have been doing magic for a very long time might be able to do something like that, but player characters start out as newbies, so it's out of their league. Besides which, big shows of force are called "vulgar" and the universe tends to punish them. So what the player's character actually does is a variety of small rites and procedures that may influence things in a supernatural way, but not so's anyone would notice.

Morality is relative, but the mages most aligned with "good" values of freedom and equality are in the Council of Nine Traditions. The Nine Traditions are aligned but varied. There's a shaman tradition, a witch tradition, a tradition that draws on the beliefs of Western religions, and a couple of "magic from science" traditions, for example.

The players on the other side(s) provide the second dose of realism. While the Nephandi are the most evil and the Marauders are probably the most dangerous, the most persistent opponents are the Technocracy. Descended from the groups who first invented money and agriculture, among other things, they've made their form of magic so commonly accepted that it just gets called "science" and "technology." The technocracy can be represented by telecoms who've vanished phone booths so that their mobile phones will have a place in every pocket, and pharmaceutical companies who can "treat" any idiosyncratic belief with SSRIs.

Are corporate America and the tech world literally run by sinister warlocks with a tight grip on arcane powers. No, I don't believe this. Again, not literally. But on another level, maybe? The COVID panic felt like something akin to the Technocracy flexing its muscles.

Young, man, there's no need to feel down

I was listening to a DJ today and could tell by her voice that she was in her twenties. At one point she said that she had "missed the blog era". I'd known for some time that blogging wasn't the craze it once was, but it hadn't occurred to me to think of it as a bygone era, one that youngsters don't recall. Welcome to my fossil collection.

That's as good a setup as any to a music post. I've been thinking about the late 60s emergence of Neil Young as a solo artist, something of a classic reversal. Just a couple of years earlier, he had been a guitarist and secondary vocalist in Buffalo Springfield. And in that time, at least as I see it, he was in Stephen Stills's shadow. Stills, who'd turned down the chance to be a Monkee*, had a great husky voice and a precocious collection of songs. Young was clearly talented, but seemed destined to be in the background.

Once the band broke up, things changed. Stills didn't stop being a good singer or songwriter. But it started to become apparent that the gawky Canadian was just on another level. Which might be why Young didn't have a consistent interest in being the fourth side of Crosby, Stills, and Nash. He was already flying.

*The guitarist job in the Monkees went to Stills's fellow Texan Mike Nesmith, although Stills sounds a lot more Texan than Nesmith when he talks.

Bye for now to the big blue box

One recent bit of news is that Doctor Who's 2026 Christmas special has been cancelled. With several other factors―lead Ncuti Gatwa leaving with no replacement, Russell T. Davies stepping down, Disney pulling its stake, etc.―this essentially means that the second age of Doctor Who is coming to a close. The age, that is, that started in 2005 when Christopher Eccleston debuted as the Ninth Doctor. 

There are many things that could be said about Doctor Who and the artistic decisions that led to this point. But what I feel more like talking about now is the Whovian culture war.

When I started paying attention to the fandom early in the century, when rumors started that the show would soon be revived, I found that a number were quite right wing. This is meant as a statement of fact, not an insult. These were often more personable than the average internet poster. But they had very set notions, one being how the Doctor should never be played by a woman or by a person of color. Now that both things have happened and the show has been canceled, you might expect them to be very smug. If you could still find them, that is.

These attitudes have more to do with history than anything else. Doctor Who has always been a fairly liberal enterprise, taking stands on war, pollution, and economic exploitation since the early 60s. This form of conservatism is really a kind of nostalgia for the British Empire. The Empire was dead by Doctor Who's 1963 premiere, being one big casualty of World War II. But it would stay in living memory for years afterward.

More recently a rival ideology has arisen amongst Who fans. Inevitable, perhaps. These have taken an extremely forward, borderline nihilistic line on social progress. Doctor Who must always make itself queerer and more rainbow-colored, in order to lead humanity to its post-gender and post-whiteness future.

The thing is that this newer ideology is just as much a product of historical forces as its opposite. It's a product of Britain's folding into the American Empire, and then copying the trends and manias that arise in the States.

And that historical circumstance is also changing. The 21st century's exact balance of power is still being decided. But what is for all intents and purposes certain is that China will ever rise as an economic and military power. Some others might as well. In any case, neither the UK nor the US will be an unrivaled power. If Doctor Who comes back for a third go-round―which is likely―it will be into another new world.

All the people

Leo XIV is not only the Pope. He is, of course, also the first American pope, as in, from the US. (Francis, as an Argentinian, was American in a more general sense.) That brings a couple of things to the fore, especially when he weighs in on something like AI.

Firstly, while various waves of immigration have made the US more Catholic in a demographic sense, it remains in a real sense a very Protestant country. A Catholic prelate reflects in public in what the right thing to do is, what it means to follow the example of Christ. But for those who believe on some level in predestination, this moral angst is faggoty at best and possibly blasphemous.

Secondly, more specifically, a kind of Protestant ethic―certainly not endemic to all Protestants, but prevalent―sees wealth as a virtue in itself and an earthly measure of wisdom. Thus Silicon Valley honchos have leveraged being billionaires with at least one trillionaire among them into a new status as public sages. This is not a first.

This thoughtful article gives a counter-read on the Dark Enlightenment, possibly the most common philosophy used in justifying the elevation of tech CEOs into a new aristocracy. Which is something that they support for obvious reasons, but there's no reason for the rest of us to roll over for it. At the very least we can dare to call it the Dork Enlightenment. 

Formidable guardian

King Edmund, also considered a saint, remains an important figure in Bury St. Edmunds, which is named after him. It's a rather wild story. The Vikings killed Edmund for not renouncing his religion and threw his head into the briars. There, the head was guarded by a wolf, and became a relic.

Doris Zinkeisen does justice to it here. She was a theatrical costume designer in addition to being a painter. A sense of the theatrical is what it needs. You can hardly miss that the head is in a spotlight.