Reading on Lionel Shriver's novel The Mandibles: A Family, 2029-2047 is still in progress. Surprises are a possibility, and to some degree expected. Still, I feel like I can share my impressions so as to give you the feel.
For context, I read a good portion of it today in a city water park by the river. Walking back and forth while reading, I kept seeing the same hypodermic syringe on the ground, and registering my doubt that some diabetic had dropped it while taking his insulin shot. There was a shouting match between two guys over one having his dog of the leash and the dog rushing the other guy, although not biting him.
This is not to say it was a lousy day. It wasn't, and the skateboarders on the Korean War monument were enjoying themselves. But it's a near-future story about the decline of America and the globe overall, and the personal conflicts that will rise. It seems only right to bring in supporting evidence from the real world.
The cause of the book's Armageddon-of-sorts is fairly simple to describe. The USA defaults on its debt in what becomes known as the Renunciation. What that means for the Mandibles, an extended Old Money family, is that the dollars they've counted on for security have drastically reduced in value, leaving them high and dry. Carter, a journalist idled by the previous collapse of newspapers, has to take his nonagerian father and the father's demented second wife out of their (once) cushy nursing home and house them in his own flat. Daughter Florence, an aid worker with a brainy teenage son and live-in Latino boyfriend (not the boy's father but a good surrogate) can't afford her house without putting up her eccentric aunt, an expatriate writer no longer welcome in Europe. Her more conservative sister Avery loses her therapy practice while her husband loses his job as an economics professor. They and their children all have to go live with Florence as well.
The characters all come from privilege. Not the vague kind of privilege currently attributed to everyone of Western European descent, but an actual elevation from the troubles of the common folk. This is quite deliberate, and serves a purpose. The fiscal catastrophe brings them low, so you know it's real. We assume that come what may, the great Mayflower families and the descendants of nineteenth century captains of industry will be have their needs met and then some. And some surely will. But maybe even in their class, some are expendable. And Shriver knows that if your story requires breaking stuff, it's more dramatic if it's the Good Stuff.
The author is an interesting figure. She's in essence a left-liberal, but has made some apostasies―most recently on COVID―which cause some to associate her with the right. So does that make The Mandibles a takedown of smug liberals launched by a smug conservative? I don't see it that way. The character of Avery―note that she goes by a three syllable man's name―receives as many barbs as anyone. Shriver is fairly unfair to everyone, in an equitable way.
No, I'd say it's a satirical but humanist dystopia. One that we can reflect on while making our way through this one.