Tuesday, August 31, 2010

Another way to look at it

Here's another one from the A&M anthropology page. It's a NYT article about how language shapes perception. Of course the Benjamin Lee Whorf theory recapped near the beginning falls apart on the face of it. If it were true, Europeans coming to the Americas would have no way of perceiving bison or tomatoes. But there are subtle effects that are no less interesting.

This is a passage that really made me take notice.


The area where the most striking evidence for the influence of language on thought has come to light is the language of space — how we describe the orientation of the world around us. Suppose you want to give someone directions for getting to your house. You might say: “After the traffic lights, take the first left, then the second right, and then you’ll see a white house in front of you. Our door is on the right.” But in theory, you could also say: “After the traffic lights, drive north, and then on the second crossing drive east, and you’ll see a white house directly to the east. Ours is the southern door.” These two sets of directions may describe the same route, but they rely on different systems of coordinates. The first uses egocentric coordinates, which depend on our own bodies: a left-right axis and a front-back axis orthogonal to it. The second system uses fixed geographic directions, which do not rotate with us wherever we turn.

We find it useful to use geographic directions when hiking in the open countryside, for example, but the egocentric coordinates completely dominate our speech when we describe small-scale spaces. We don’t say: “When you get out of the elevator, walk south, and then take the second door to the east.” The reason the egocentric system is so dominant in our language is that it feels so much easier and more natural. After all, we always know where “behind” or “in front of” us is. We don’t need a map or a compass to work it out, we just feel it, because the egocentric coordinates are based directly on our own bodies and our immediate visual fields.

But then a remote Australian aboriginal tongue, Guugu Yimithirr, from north Queensland, turned up, and with it came the astounding realization that not all languages conform to what we have always taken as simply “natural.” In fact, Guugu Yimithirr doesn’t make any use of egocentric coordinates at all. The anthropologist John Haviland and later the linguist Stephen Levinson have shown that Guugu Yimithirr does not use words like “left” or “right,” “in front of” or “behind,” to describe the position of objects. Whenever we would use the egocentric system, the Guugu Yimithirr rely on cardinal directions. If they want you to move over on the car seat to make room, they’ll say “move a bit to the east.” To tell you where exactly they left something in your house, they’ll say, “I left it on the southern edge of the western table.” Or they would warn you to “look out for that big ant just north of your foot.” Even when shown a film on television, they gave descriptions of it based on the orientation of the screen. If the television was facing north, and a man on the screen was approaching, they said that he was “coming northward.”

This fascinates me. I love the idea that somewhere a child is at the fridge asking her mother where the orange juice is, and the mother is replying that it's eighteen centimeters northwest.

Of course it's not just a matter of language shaping ideas. It's language and ideas being shaped by environment. A language without egocentric coordinates is likely to arise in a land of open spaces, where everyone learns early the subtleties of where the north and the west are.

What's cool is that if all language comes from somewhere, it can carry clues as to what that where is like.

Monday, August 30, 2010

New York State of Troubled Mind

Tonight I watched Synecdoche, New York, one of many fine films available through our local library. Through much of it I wondered whether it was a depressing movie that lucked intoa few funny moments or a parody of depressing movies.

Probably an unfair question. It's actually a serious attempt to put the methods of magic realism onscreen. This is not something that American movies are generally known for, and it's a surprise to see Charlie Kaufman succeed as much as he does. For example, the disorientation of hero Caden Cotard watching years pass by him as he thinks they're days and we see only minutes.

What makes it hard to get into is that Cotard can be--is--a rather offputting character. He's a self-absorbed depressive lump, and the question isn't why his wife ran out on him. Nay, the question is how she stayed with him long enough to birth a daughter and watch her turn four. Given that the character, played by Philip Seymour Hoffman, is named after the Cotard delusion (being convinced that you're dead) means his unattractive qualities are almost certainly intentional. But it is something you have to get past, and it may take me more than one viewing.

In short, I think that while it may take some reaching, this is a wothwhile and accomplished film. And if I want to convince my friends to see it, my money quote will be "Emily Watson takes her bra off."

Sunday, August 29, 2010

Winged vanity

Today I saw one of the most hilarious wastes of money it's been my privelege to witness. A plane was dragging a banner through the air. It was all red, with a familiar yellow M on the right hand side. To the left of this were three lines of text in white. What did they say? I don't know. I couldn't read it. There is no way anyone standing on the ground could read this banner. So this pilot was paid probably thousands of dollars to tell the public that McDonalds exists. We were all so close to forgetting, I'm sure.

To be fair, they may be trying to reach out to the seagull community.

Friday, August 27, 2010

A Friday Random Ten both Calvinist and Lutheran

Not much to report. I'm taking a few days off from work, and feel just fine about that. So why don't I show you this from here?


1. Jackson Browne--Before the Deluge
2. Taj Mahal--Take a Giant Step
3. Brian Eno--Spirits Drifting
4. Gnarls Barkley--Run (I'm a Natural Disaster)
5. The Kinks--Mister Pleasant
6. Arcade Fire--Half Light II (No Celebration)
7. Yma Sumac--Gopher Mambo
8. Isobel Campbell--Thursday's Child
9. Nina Simone--Four Women
10. Sonic Youth--Stones

Thursday, August 26, 2010

Jiminy Cricket was a friend of mine, and doctor...

The silencing of anyone's voice is not really a good goal, even when as in this case, it's self-silencing. That said, is the retirement of Dr. Laura an occasion for great regret? Not really.

She always appealed to--and eventually aimed straight for--a conservative talk-radio audience. No surprise there. Under "government off our backs" there's usually a whole lotta busybody. That's not really the issue. True, she alienated gays and lesbians with clueless gusto. And true, she ended her career with a bizarre racial meltdown. But these are sidetrips.

What made her really not-so-helpful was the finality of her advice. When people called her, she didn't help them think through their problems and moral dilemmas. She just told them what to do. And even if her advice was good--stopped clocks and all that--giving answers without a way to get there doesn't help. You can't always carry your favorite radio host around.

Then again, there seems to be a market. Maybe people don't want a friend to talk to. Maybe they actually want a visit from the morality police. In which case the next Laura Schlessinger is on the horizon.

Sunday, August 22, 2010

Speak, boy!

In college I took a voice and articulation class. It was taught by a woman who was... nice on a certain level. And she was a good teacher in a lot of respects. But she was a singer, an actress, and a professor. That's a lot of crazy for one body to hold.

In this class I did learn that my optimal pitch was in the baritone range. That's held up pretty well. I do seem to sound better that way.

However, you kind of have to go beyond that. Good posture is, I think, important to sounding your best too. If you have your feet planted firmly on the ground and your back straight, you can summon up more energy when you need it. And it helps to take a direct approach to communication. If you're trying to pussyfoot around a subject, you could well find yourself stammering and falling back on other old habits.

It's also good to imagine that you're holding a miniature laser cannon in your hand. But now we're dealing with advanced methods...

Friday, August 20, 2010

Friday Random Ten from a ghost town

How many people are scrambling to get their vacation hours in now? Quite a few, I'm guessing. Even as Fridays go, it was abandoned and tomblike at work today. Spa-kooky!


1. Brian Eno--Zawinul/Lava
2. The Magnetic Fields--The Death of Ferdinand de Saussure
3. Jackson Browne--Walking Slow
4. Sly & the Family Stone--Run, Run, Run
5. Nina Simone--Come Ye
6. The Kinks--Session Man
7. Sonic Youth--Paper Cup Exit
8. The White Stripes--Little People
9. The Velvet Underground--Pale Blue Eyes
10. Stan Kenton--Peg o' My Heart

* At first I disliked the snide tone of this song. Now I kind of like it. Wny shouldn't peace and love allow for a little grumpiness?