Am now reading A Little Book of Form by Robert Hass. Hass used to be Poet Laureate of the United States, a prestigious office albeit one whose term only lasts for a year. Based on class lectures he gave, it's idiosyncratic but illuminating, highlighting things that poets used to be expected to know but have grown out of fashion in the past few decades.
Sonnets, for one. There was a time not too long ago when anyone starting on a career as a poet could be expected to struggle with and master the sonnet form, even if they never pursued it again in their life. Now sonneteering is like making wooden barrels by hand. That may be a loss on our part.
Anyway, here's one collected in the book, written by Charlotte Smith. She was an influence on many Romantic poets, coming even a little before William Blake.
"Written Near a Port on a Darkening Evening" (1797)
Huge vapors brood above the clifted shire,
Night on the Ocean settles, dark and mute,
Save where is heard the repercussive roar
Of drowsy billows, on the rugged foot
Of rocks remote; or still more distant tone
Of seamen in the anchored bark that tell
The watch relieved; or one deep voice alone
Singing the hour and bidding "Strike the bell."
All is black shadow, but the lucid line
Marked by the light surf on the level sand,
Or where afar the ship-lights faintly shine
Like wandering fairy fires, that oft on land
Mislead the Pilgrim―such the dubious ray
That wavering reason lends, in life's long darkling way